The relationship of the performing culture and performing style in Russian music theory

Aliyeva Zarema Ehbazerovna

The object of research of this article is process of formation of domestic performing style. As a method of a research the comparative analysis of the points of view in the studied literature and own approaches to determination of performing culture and performing style in the musical theory is chosen. The novelty of a research is defined by identification of factors of development of performing culture and performing style in the domestic musical theory and also the characteristic of process of formation and perception of performing style in the context of a possibility of broadcasting of the composer idea. As conclusions is defined that in the system of culture of interpretation and reproduction of the musical text an important condition is development of mastery and technology of art performance of works. In the sphere of art, especially musical, detection and identification of habitual, stereotypic language, structural or visual and figurative elements can serve as some kind of «catches» for his perception and judgment in the new, discouraging by the strangeness text.

Keywords:art, piece of music, stylistic features, performance culture, transformation, music theory, performing style, composer idea, performance of pieces of music, artistic images.