Gavrilova Valentina Leonidovna (PhD (Philology), Head of the Intensive teaching
of Russian as a foreign language department.
HerzenState Pedagogical University of Russia, Saint-Petersburg)
Gasselblat Olga Alexandrovna (PhD (Philology), associate professor
of the Intensive teaching of Russian as a foreign language department.
HerzenState Pedagogical University of Russia, Saint-Petersburg)
Belous Boris Sergeevich (PhD (History), associate professor
of the Intensive teaching of Russian as a foreign language department.
HerzenState Pedagogical University of Russia, Saint-Petersburg)
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The article discusses the general artistic tendency in the use of colors in the description of St. Petersburg in the works of F.M. Dostoevsky, N.A. Nekrasov and I.A. Brodsky.
Analysis of the use of color and light designations in the works of F.M. Dostoevsky, N.A. Nekrasov and I.A. Brodsky made it possible to determine the color hierarchy in the creation of the St. Petersburg landscape, as well as to discover complex of semantic and emotionally expressive elements of meaning. The colors that we study are mainly associated with the transfer of social content, and are generally conditioned by the worldview of the writers.
Keywords:color painting, light painting, patterns in the use of colors, Petersburg landscape.
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Citation link:
Gavrilova V. L., Gasselblat O. A., Belous B. S. Coloristic interpretation of the image of St. Petersburg in the works of F.M. Dostoevsky, N.A. Nekrasov, I.A. Brodsky // Современная наука: актуальные проблемы теории и практики. Серия: ГУМАНИТАРНЫЕ НАУКИ. -2022. -№09/2. -С. 79-83 DOI 10.37882/2223-2982.2022.09-2.07 |
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